By Adobe Creative Team
Adobe After results 5.0 lecture room in a BookYou can sink the great with it, yet you do not have to. Filmmakers andTV-commercial administrators have grew to become to Adobe After results for years tocreate refined visible results, yet its fan membership is quickly expandingto comprise photograph designers who are looking to upload movement images to their web pages. Adobe After results 5.0 school room in a ebook takes theintimidation issue out of this moviemaking software with no diminishing itspowerful power. constructed via the specialists at Adobe, this project-basedguide walks you thru easy-to-follow classes established within the company's ownclassrooms.Not assuming any past After results wisdom, Adobe After results 5.0Classroom in a e-book takes a building-block method. The publication isdesigned round one huge and intricate venture that's damaged down intomanageable classes, every one of which builds on issues lined in previoussections. The task-oriented layout mimics a real-world paintings movement: Features,functions, and matters are brought as they arrive up in the course of the direction ofthe venture. This variation of the ebook covers what is new and interesting inAfter results 5.0: 3D compositing, hierarchical layering, and powerfulanimation and protecting improvements. The accompanying cross-platform CDincludes the entire records you must whole the initiatives.
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Additional resources for Adobe After Effects 5.0: Classroom in a Book
Book Page 42 Monday, October 8, 2001 12:08 PM 42 LESSON 1 Creating 2D Elements from Hexagons Duplicating and renaming precomposed layers The easiest way to fill the composition frame with hexagons is to create copies of the precomposed layer. 1 Select the Hexagons Build Pre-comp layer, then press S to hide the Scale property. 2 With the layer still selected, choose Edit > Duplicate. Or, press Ctrl + D (Windows) or Command + D (Mac OS). 3 Choose Edit > Duplicate again. The Timeline window now lists three layers.
To create a RAM preview, After Effects first loads the frames into RAM and then plays them back. The first cycle through the preview appears to be much slower. As After Effects builds the preview, a green line moves across the timeline, indicating the progress of the RAM preview build. After the preview is loaded into RAM, the animation plays back at real time or as close to real time as your system can handle. The number of frames that appear in a RAM preview depends on how much information can be loaded into the RAM on your system.
The hexagon appears in the Composition window at the reduced size. Setting keyframes to rotate the image Next, you want the hexagon to rotate as it falls into place. In the following task, you’ll animate the hexagon so that it rotates 180˚ over the first 15 frames of the four-second composition. You use two or more keyframes to specify how things change over time within the composition. A keyframe is a reference point that links a layer property value to a place in time. To make the image rotate, you set one keyframe for its beginning Rotation value and another keyframe for its final Rotation value.