Video Production

Download Advanced Maya Texturing and Lighting, 2nd Edition by Lee Lanier PDF

By Lee Lanier

ISBN-10: 0470292733

ISBN-13: 9780470292730

Should you already comprehend the fundamentals of Maya, the industry-leading 3D animation and results software program, you’ll be capable to circulate directly to the subtle issues during this up to date version of complex Maya Texturing and lighting fixtures. certain, easy-to-follow directions will educate you the real-world creation secrets and techniques that pro animators use to accomplish remarkable effects. within the moment version, you'll find huge and up to date insurance of the newest theories and tendencies as well as an enclosed CD with particular content material that can assist you sharpen your abilities.

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Extra resources for Advanced Maya Texturing and Lighting, 2nd Edition

Example text

In many cases, a lookup table (LUT) is developed to properly map the gamma of the computer monitors used by animators. Portable calibration hardware is also used to check the calibration result. ) Although this process may be too costly for an independent animator, calibration shortcuts can be taken. Many digital-imaging programs are bundled with calibration software. Adobe Gamma is perhaps the most common. Launching the program will step you through an interactive calibration process. Although useful, Adobe Gamma is designed for print projects, so it might not provide accurate settings for some animation.

6 ​Four Cone Angle and Penumbra settings for the same spot light Photo © 2008 Jupiterimages Corporation Look Through Barn Doors ​Toggles on virtual barn doors for the spot light. 7).

Firelight varies from red to orange. Incandescent lightbulbs are yellowish. If a light color is out of place, a scene may appear incorrect to the viewer. This should not be confused with the way colors are recorded on film, where colors are often exaggerated. For example, daylight film (balanced for 5500 K) will make the yellow of an incandescent bulb more orange. Tungsten film (balanced for 3200 K) will make sunlight extremely blue. Professional photographers and cinematographers reduce this problem by employing color corrective filters and gels.

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