Video Production

Download Animate to Harmony: the independent animator's guide to Toon by Adam Phillips PDF

By Adam Phillips

ISBN-10: 0415705371

ISBN-13: 9780415705370

Want to create studio-quality paintings and get spotted? simply coming off Flash and searching out a Toon increase intro? Are you a standard pencil-and-paper animator? From scene setup to the ultimate render, the best way to navigate the Toon growth interface to create animation that may be released on quite a few structures and formats.

Animate to Harmony courses you thru Toon Boom’s Animate, Animate seasoned and concord courses, instructing you the way to create fine quality second animation of all complexities. the most textual content focuses onfeatures which are universal throughout all 3 courses whereas "Advanced innovations" packing containers during the ebook tricky on seasoned and concord beneficial properties, attractive to all degrees of expertise with any of the 3 major Toon growth products.

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Extra info for Animate to Harmony: the independent animator's guide to Toon Boom

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These shapes aren’t available on texture brushes. 30 > 1. In the Timeline, select frame 1. > 2. In the Brush Properties panel, choose an angled Brush shape. > 3. Type in a minimum Brush size of 80 and a maximum of 80. > 4. In the Camera View, draw a flowing length of ribbon. > 5. Experiment with other angles, sizes and Brush shapes for different effects. It’s built like a strand of electrical wire: a central core with a coating of colour. The first two exercises will cover the basic version then we’ll see what’s so great about its new features.

14 > 4. Move the Alpha slider to about a third of the way, or simply type 85 into the Alpha value field. 15 > 5. In the Name field at the top, rename this colour by replacing Black (or Default Line) with Rough Blu. > 6. Close the Colour Picker and your new Rough Blu colour should now be at the top of the Colour panel. 16 > BRUSH EXERCISE 4 SHOW AND FLATTEN STROKES > 1. In the Timeline, select frame 1. > 2. Use the Brush tool with the new rough colour you created in the Brush exercise 3. While this makes it easier to select, edit, move or delete each individual stroke, you can always flatten your strokes together so they form a single line.

5. Press [K] to Show Strokes. A single, central line is much lighter and faster for the computer to process than the Brush stroke’s vector outline. If you haven’t carefully closed the circle and triangle, these little end markers will reveal the gap, at a glance. PENCIL EXERCISE 2 CLOSING GAPS > 1. Ensure you have the Pencil [Alt /] selected. > 2. In the tool properties panel, for the purpose of this exercise, make sure the Auto Close Gaps button is off. 34 > 3. In the Camera View, deliberately draw a square without quite closing the gap at the end, as shown below.

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